Sake - Japanese Sake Bottle

Sake, also spelled saké ( SAH-kay, also referred to as Japanese rice wine), is an alcoholic beverage made by fermenting rice that has been polished to remove the bran. Despite the name, unlike wine, in which alcohol is produced by fermenting sugar that is naturally present in fruit (typically grapes), sake is produced by a brewing process more akin to that of beer, where starch is converted into sugars, which ferment into alcohol.

The brewing process for sake differs from the process for beer, where the conversion from starch to sugar and then from sugar to alcohol occurs in two distinct steps. Like other rice wines, when sake is brewed, these conversions occur simultaneously. Furthermore, the alcohol content differs between sake, wine, and beer; while most beer contains 3â€"9% ABV, wine generally contains 9â€"16% ABV, and undiluted sake contains 18â€"20% ABV (although this is often lowered to about 15% by diluting with water prior to bottling).

In Japanese, the word sake (kanji: é…', Japanese pronunciation: [sake]) can refer to any alcoholic drink, while the beverage called "sake" in English is usually termed nihonshu (日本é…'; meaning 'Japanese liquor'). Under Japanese liquor laws, sake is labelled with the word "seishu" (清é…'; 'clear liquor'), a synonym not commonly used in conversation.

In Japan, where it is the national beverage, sake is often served with special ceremony, where it is gently warmed in a small earthenware or porcelain bottle and sipped from a small porcelain cup called a sakazuki. As with wine, the recommended serving temperature of sake varies greatly by type.

History

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The origin of sake is unclear. The earliest reference to the use of alcohol in Japan is recorded in the Book of Wei in the Records of the Three Kingdoms. This 3rd-century Chinese text speaks of the Japanese drinking and dancing. Alcoholic beverages (Japanese: é…') are mentioned several times in the kōjiki, Japan's first written history, which was compiled in 712. Bamforth (2005) places the probable origin of true sake (which is made from rice, water, and kōji mold (麹, Aspergillus oryzae) in the Nara period (710â€"794). In the Heian period, sake was used for religious ceremonies, court festivals, and drinking games. Sake production was a government monopoly for a long time, but in the 10th century, temples and shrines began to brew sake, and they became the main centers of production for the next 500 years. The Tamon-in Diary, written by abbots of Tamon-in (temple) from 1478 to 1618, records many details of brewing in the temple. The diary shows that pasteurization and the process of adding ingredients to the main fermentation mash in three stages were established practices by that time. In the 16th century, the technique of distillation was introduced into the Kyushu district from Ryukyu. The brewing of shōchÅ«, called "Imoâ€"sake" started, and was sold at the central market in Kyoto.

In the 18th century, Engelbert Kaempfer and Isaac Titsingh published accounts identifying sake as a popular alcoholic beverage in Japan; but Titsingh was the first to try to explain and describe the process of sake brewing. The work of both writers was widely disseminated throughout Europe at the beginning of the 19th century.

During the Meiji Restoration, laws were written that allowed anybody with the money and know-how to construct and operate their own sake breweries. Around 30,000 breweries sprang up around the country within a year. However, as the years went by, the government levied more and more taxes on the sake industry and slowly the number of breweries dwindled to 8,000.

Most of the breweries that grew and survived this period were set up by wealthy landowners. Landowners who grew rice crops would have rice left over at the end of the season and, rather than letting these leftovers go to waste, would ship it to their breweries. The most successful of these family breweries still operate today.

During the 20th century, sake-brewing technology grew by leaps and bounds. The government opened the sake-brewing research institute in 1904, and in 1907 the very first government-run sake-tasting competition was held. Yeast strains specifically selected for their brewing properties were isolated and enamel-coated steel tanks arrived. The government started hailing the use of enamel tanks as easy to clean, lasting forever, and being devoid of bacterial problems. (The government considered wooden barrels to be unhygienic because of the potential bacteria living in the wood.) Although these things are true, the government also wanted more tax money from breweries, as using wooden barrels means that a significant amount of sake is lost to evaporation (somewhere around 3%), which could have otherwise been taxed. This was the end of the wooden-barrel age of sake and the use of wooden barrels in brewing was completely eliminated.

In Japan, sake has long been taxed by the national government. In 1898, this tax brought in about ¥5 million out of a total of about ¥120 million, about 4.6% of the government's total direct tax income.

During the Russo-Japanese War in 1904â€"1905, the government banned the home brewing of sake. At the time, sake still made up an astonishing 30% of Japan's tax revenue. Since home-brewed sake is tax-free sake, the logic was that by banning the home brewing of sake, sales would go up, and more tax money would be collected. This was the end of home-brewed sake, and the law remains in effect today even though sake sales now make up only 2% of government income.

When World War II brought rice shortages, the sake-brewing industry was dealt a hefty blow as the government clamped down on the use of rice for brewing. As early as the late 17th century, it had been discovered that small amounts of alcohol could be added to sake before pressing to extract aromas and flavors from the rice solids, but during the war, pure alcohol and glucose were added to small quantities of rice mash, increasing the yield by as much as four times. 75% of today's sake is made using this technique, left over from the war years. There were even a few breweries producing "sake" that contained no rice at all. Naturally, the quality of sake during this time varied greatly.

After the war, breweries slowly began to recover, and the quality of sake gradually went up. However, new players on the sceneâ€"beer, wine, and spiritsâ€"became very popular in Japan, and in the 1960s beer consumption surpassed sake for the first time. Sake consumption continued to go down while, in contrast, the quality of sake steadily improved.

Today, sake has become a world beverage with a few breweries springing up in China, Southeast Asia, South America, North America, and Australia. More breweries are also turning to older methods of production.

While the rest of the world may be drinking more sake and the quality of sake has been increasing, sake production in Japan has been declining since the mid-1970s. The number of sake breweries is also declining. While there were 3,229 breweries nationwide in fiscal 1975, the number had fallen to 1,845 in 2007.

Oldest sake brewery

The oldest known sake brewery is from the 15th century near an area that was owned by Tenryū-ji, in Ukyō-ku, Kyoto. Unrefined sake was squeezed out at the brewery and there are about 180 holes (60 cm wide, 20 cm deep) for holding storage jars. A hollow (1.8 meter wide, 1 meter deep) for a pot to collect drops of pressed sake and 14th-century Bizen ware jars were also found. It is estimated to be utilized until the Onin War (1467-1477). Sake was brewed at Tenryū-ji during the Muromachi Period (1336-1573).

Production

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Rice

The rice used for brewing sake is called saka mai é…'ç±³ (sake rice), or officially shuzō kōtekimai é…'造好適米 (sake-brewing suitable rice). There are at least 80 types of sake rice in Japan. Among these, Yamadanishiki, Gohyakumangoku, Miyamanishiki and Omachi rice are very popular. The grain is larger, stronger (If a grain is small or weak, it will break in the process of polishing), and contains less protein and lipid than the ordinary rice eaten by the Japanese. Sake rice is used only for making sake, because it is unpalatable for eating.

Sake rice is usually polished to a much higher degree than rice that is used for eating. The reason for polishing is a result of the composition and structure of the rice grain itself. The core of the rice grain is rich in starch, while the outer layers of the grain contain higher concentrations of fats, vitamins and proteins. Since higher concentration of fat and protein in the sake would lead to off-flavors and contribute rough elements to the sake, the outer layers of the sake rice grain is milled away in a polishing process, leaving only the starchy part of the grain (some sake brewers remove over 60% of the rice grain in the polishing process). That desirable pocket of starch in the center of the grain is called the shinpaku (心白). It usually takes 2 to 3 days to polish rice down to less than half its original size. The rice powder that is a by-product of the polishing is very often used for making rice crackers, or Japanese sweets (i.e. Dango), and other food stuffs.

If the sake is made with rice that has a higher percentage of its husk and outer portion of the core milled off, then more rice will be required to make that particular sake, and it will take longer to make. As a result, sake made with rice that has been highly milled (much of the rice has been polished off) is usually more expensive than a sake that has been made using less polished rice. However, this does not always mean that sake made by highly milled rice is of better quality than sake made by rice that has been milled less.

Rice polishing ratio, called Seimai-buai 精米歩合 (see Glossary of sake terms) measures the degree of rice polishing. For example, rice polishing ratio of 60% means that the 60% of the original rice grain remains and the 40% has been polished away.

Water

Water is one of the important ingredients for making sake. It is involved in almost every major process of sake brewing from washing the rice to dilution of the final product before bottling. The mineral content of the water can play a large role in the final product. Iron will bond with an amino acid produced by the kōji to produce off flavors and a yellowish color. Manganese, when exposed to ultraviolet light, will also contribute to discoloration. Conversely potassium, magnesium, and phosphoric acid serve as nutrients for yeast during fermentation and are considered desirable. The yeast will use those nutrients to work faster and multiply resulting in more sugar being converted into alcohol. While soft water will typically yield sweeter sake, hard water with a higher nutrient content is known for producing drier-style sake.

The first region known for having great water was the Nada-Gogō in Hyōgo Prefecture. A particular water source called "Miyamizu" was found to produce high quality sake and attract many producers to the region. To this day Hyōgo has the most sake brewers of any prefecture.

Typically breweries source their water from wells, though lakes and rivers can be used as well. Also breweries may use tap water and filter and adjust components as they see fit.

Kōji-kin

Kōji-kin (Aspergillus oryzae) spores are another important component of sake. Kōji-kin is an enzyme-secreting fungus. In Japan, kōji-kin is used to make various fermented foods, including miso (a paste made from soybeans) and shoyu (soy sauce). It is also used to make alcoholic beverages, notably sake. During sake brewing, spores of kōji-kin are scattered over steamed rice to produce kōji (rice in which kōji-kin spores are cultivated). Under warm and moist conditions, the kōji-kin spores germinate and release enzymes called amylases that convert the rice starches into glucose. This process of starch conversion into simpler sugars (e.g. glucose or maltose) is called saccharification. Yeast then turns this glucose into alcohol via fermentation. Saccharification also occurs in beer brewing, where malt is used to convert starches from barley into maltose. However, whereas fermentation occurs after saccharification in beer brewing, saccharification (via kōji-kin) and fermentation (via yeast) occur simultaneously in sake brewing (see "Fermentation" below).

As kōji-kin is a microorganism used to manufacture food, its safety profile with respect to humans and the environment in sake brewing and other food-making processes must be considered. Various health authorities, including Health Canada and the U.S. Food and Drug Administration (FDA), consider kōji-kin (A. oryzae) generally safe for use in food fermentation, including sake brewing. When assessing its safety, it is important to note that A. oryzae lacks the ability to produce toxins, unlike the closely related Aspergillus flavus. To date, there have been only several reported cases of animals (e.g. parrots, a horse) being infected with A. oryzae. In these cases, however, the animals infected with A. oryzae were already weakened due to predisposing conditions like recent injury, illness, or stress, and were therefore especially susceptible to infections in general. Aside from these cases, there is no evidence to indicate A. oryzae is a harmful pathogen to either plants or animals in the scientific literature. Therefore, Health Canada considers A. oryzae “unlikely to be a serious hazard to livestock or to other organisms,” including "healthy or debilitated humans." Given its safety record in the scientific literature and extensive history of safe use (spanning several hundred years) in the Japanese food industry, the FDA and World Health Organization (WHO) also support the safety of A. oryzae for use in the production of foods like sake. In the U.S., the FDA classifies A.oryzae as a Generally Recognized as Safe (GRAS) organism.

Fermentation

Sake fermentation is a 3-step process called sandan shikomi. The first step, called hatsuzoe, involves the steamed rice, water, and kōji-kin being added to the yeast starter called shubo, which is made from a mixture of steamed rice, water, kōji, and yeast. This mixture becomes known as the moromi (the main mash during sake fermentation). The high yeast content of the shubo promotes the fermentation of the moromi.

On the second day, the mixture is left to stand for a day to allow the yeast to multiply.

The second step (the third day of the process), called nakazoe, involves the addition of a second batch of kōji, steamed rice, and water to the mixture. On the fourth day of the fermentation, the third step of the process, called tomezoe, takes place. Here, the third and final batch of kōji, steamed rice, and water is added to the mixture to complete the 3-step process.

The fermentation process of sake is a multiple parallel fermentation, which is unique to sake. Multiple parallel fermentation is the conversion of starch into glucose followed by immediate conversion into alcohol. This process distinguishes sake from other liquors like beer because it occurs in a single vat, whereas with beer, for instance, starch to glucose conversion and glucose to alcohol conversion occur in separate vats. The breakdown of starch into glucose is caused by the kōji-kin fungus, while the conversion of glucose into alcohol is caused by yeast. Due to the yeast being available as soon as the glucose is produced, the conversion of glucose to alcohol is very efficient in sake brewing. This results in sake having a generally higher alcohol content than other types of liquor.

After the fermentation process is complete, the fermented moromi is pushed through a press to remove the sake lees and then pasteurized and filtered for color. The sake is then stored in bottles under cold conditions (see "Maturation" below).

The entire process of making sake can range from 60â€"90 days (2â€"3 months), while the fermentation alone can take two weeks.

Maturation

Like other brewed beverages, sake tends to benefit from a period of storage. Nine to twelve months are required for sake to mature. Maturation is caused by physical and chemical factors such as oxygen supply, the broad application of external heat, nitrogen oxides, aldehydes and amino acids, among other unknown factors.

Tōji

Tōji (杜氏) is the job title of the sake brewer, named after Du Kang. It is a highly respected job in the Japanese society, with tōji being regarded like musicians or painters. The title of tōji was historically passed on from father to son; today new tōji are either veteran brewery workers or are trained at universities. While modern breweries with refrigeration and cooling tanks operate year-round, most old-fashioned sake breweries are seasonal, operating only in the cool winter months. During the summer and fall most tōji work elsewhere, and are commonly found on farms, only periodically returning to the brewery to supervise storage conditions or bottling operations.

Varieties

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Special-designation sake

There are two basic types of sake: FutsÅ«-shu (普通é…', ordinary sake) and Tokutei meishō-shu (特定名称é…', special-designation sake). FutsÅ«-shu is the equivalent of table wine and accounts for the majority of sake produced. Tokutei meishō-shu refers to premium sake distinguished by the degree to which the rice has been polished and the added percentage of brewer's alcohol or the absence of such additives. There are eight varieties of special-designation sake.

The four main grades of sake are junmai, honjozo, ginjo and daiginjo. Generally junmai (ç´"ç±³) is a term used for sake that is made of pure rice wine without any additional alcohol. The listing below has the highest quality at the top:

Ways to make the starter mash

• Kimoto (ç"Ÿé…›) is the traditional orthodox method for preparing the starter mash, which includes the laborious process of grinding it into a paste. This method was the standard for 300 years, but it is rare today.
• Yamahai (山廃) is a simplified version of the kimoto method, introduced in the early 1900s. Yamahai skips the step of making a paste out of the starter mash. That step of the kimoto method is known as yama-oroshi, and the full name for yamahai is “yama-oroshi haishi” (山卸廃止), meaning “discontinuation of yama-oroshi.” While the yamahai method was originally developed to speed production time, it is slower than the modern method and is now used only in specialty brews for the earthy flavors it produces.
• Sokujō (速醸), "quick fermentation", is the modern method of preparing the starter mash. Lactic acid, produced naturally in the two slower traditional methods, is added to the starter to inhibit unwanted bacteria. Sokujō sake tends to have a lighter flavor than kimoto or yamahai.

Different handling after fermentation

• Namazake (ç"Ÿé…') is sake that has not been pasteurized. It requires refrigerated storage and has a shorter shelf-life than pasteurized sake.
• Genshu (原é…') is undiluted sake. Most sake is diluted with water after brewing to lower the alcohol content from 18â€"20% down to 14â€"16%, but genshu is not.
• Muroka (無濾過) means unfiltered. It refers to sake that has not been carbon filtered, but which has been pressed and separated from the lees, and thus is clear, not cloudy. Carbon filtration can remove desirable flavors and odors as well as bad ones, thus muroka sake has stronger flavors than filtered varieties.
• Nigorizake (濁りé…') is cloudy sake. The sake is passed through a loose mesh to separate it from the mash. It is not filtered thereafter and there is much rice sediment in the bottle. Before serving, the bottle is shaken to mix the sediment and turn the sake white or cloudy.
• Seishu (清é…'), "clear/clean sake", is the Japanese legal definition of sake and refers to sake in which the solids have been strained out, leaving clear liquid. Thus nigorizake and doburoku (see below) are not seishu and therefore are not actually sake under Japanese law. However, nigorizake can receive the seishu status by being strained clear and having the lees put back in afterward.
• Koshu (古é…') is "aged sake". Most sake does not age well, but this specially made type can age for decades, turning yellow and acquiring a honeyed flavor.
• Taruzake (樽é…') is sake aged in wooden barrels or bottled in wooden casks. The wood used is Cryptomeria (杉, sugi), which is also known as Japanese cedar. Sake casks are often tapped ceremonially for the opening of buildings, businesses, parties, etc. Because the wood imparts a strong flavor, premium sake is rarely used for this type.
• Shiboritate (搾立て), "freshly pressed", refers to sake that has been shipped without the traditional six-month aging/maturation period. The result is usually a more acidic, "greener" sake.
• Fukurozuri (袋吊り) is a method of separating sake from the lees without external pressure by hanging the mash in bags and allowing the liquid to drip out under its own weight. Sake produced this way is sometimes called shizukuzake (雫é…'), meaning "drip sake".
• Tobingakoi (æ–—ç"¶å›²ã„) is sake pressed into 18-liter (4.0 imp gal; 4.8 U.S. gal) bottles ("tobin") with the brewer selecting the best sake of the batch for shipping.

Others

• Amazake (ç"˜é…') is a traditional sweet, low-alcoholic Japanese drink made from fermented rice.
• Doburoku (濁é…') is the classic home-brew style of sake (although home brewing is illegal in Japan). It is created by simply adding kōji mold to steamed rice and water and letting the mixture ferment. The resulting sake is somewhat like a chunkier version of nigorizake.
• Jizake (地é…') is locally brewed sake, the equivalent of microbrewing beer.
• Kuroshu (é»'é…') is sake made from unpolished rice (i.e., brown rice), and is more like Chinese rice wine.
• Teiseihaku-shu (低精白é…') is sake with a deliberately high rice-polishing ratio. It is generally held that the lower the rice polishing ratio (the percent weight after polishing), the better the potential of the sake. However, beginning around 2005, teiseihaku-shu has been produced as a specialty sake made with high rice-polishing ratios, usually around 80%, to produce sake with the characteristic flavor of rice itself.

Some other terms commonly used in connection with sake:

• Nihonshu-do (日本é…'度), also called the Sake Meter Value, or SMV

${\displaystyle {\text{SMV}}=\left(\left|{\frac {1}{\text{specific gravity}}}\right|-1\right)\times 1443}$

Specific gravity is measured on a scale weighing the same volume of water at 4 °C (39 °F) and sake at 15 °C (59 °F). The sweeter the sake, the lower the number. When the SMV was first used, 0 was designated the point between sweet sake and dry sake. Now +3 is considered neutral.

• Seimai-buai (精米歩合) is the rice polishing ratio, the percentage of weight remaining after polishing. Generally, the lower the number, the better the sake's potential. A lower percentage usually results in a fruitier sake, whereas a higher percentage will taste more like rice.
• Kasu (粕) are pressed sake lees, the solids left after pressing and filtering. These are used for making pickles, livestock feed, and shōchÅ«, and as an ingredient in dishes like kasu soup.

Taste and flavor

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The label on a bottle of sake gives a rough indication of its taste. Terms found on the label may include nihonshu-do (日本é…'度), san-do (酸度), and aminosan-do (アミノ酸度).

Nihonshu-do (日本é…'度) is calculated from the specific gravity of the sake and indicates the sugar and alcohol content of the sake on an arbitrary scale. Typical values are between âˆ'3 (sweet) and +10 (dry), equivalent to specific gravities ranging between 1.007 and 0.998.

San-do (酸度) indicates the concentration of acid, which is determined by titration with sodium hydroxide solution. This number is equal to the milliliters of titrant required to neutralize the acid in 10 ml (0.35 imp fl oz; 0.34 US fl oz) of sake.

Aminosan-do (アミノ酸度) indicates a taste of umami or savoriness. As the proportion of amino acids rises, the sake tastes more savory. This number is determined by titration of the sake with a mixture of sodium hydroxide solution and formaldehyde, and is equal to the milliliters of titrant required to neutralize the amino acids in 10 ml of sake.

Sake can have many flavor notes, such as fruits, flowers, herbs, and spices. Many types of sake have notes of apple from ethyl caproate, and banana from isoamyl acetate, particularly ginjōshu (吟醸é…').

Serving sake

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In Japan, sake is served chilled (reishu 冷é…'), at room temperature (jōon 常温 or hiya 冷や), or heated (atsukan 熱燗), depending on the preference of the drinker, the quality of the sake, and the season. Typically, hot sake is a winter drink, and high-grade sake is not drunk hot, because the flavors and aromas will be lost. This masking of flavor is the reason that low-quality and old sake is often served hot. There are gradations of temperature both for chilling and heating, about every 5 °C (9.0 °F), with hot sake generally served around 50 °C (122 °F), and chilled sake around 10 °C (50 °F), like white wine. Hot sake that has cooled (kanzamashi 燗冷まし) may be reheated.

Sake is traditionally drunk from small cups called choko or o-choko (お猪口) and poured into the choko from ceramic flasks called tokkuri. This is very common for hot sake, where the flask is heated in hot water and the small cups ensure that the sake does not get cold in the cup, but may also be used for chilled sake. Traditionally one does not pour one's own drink, which is known as tejaku (手酌), but instead members of a party pour for each other, which is known as shaku (酌). This has relaxed in recent years, but is generally observed on more formal occasions, such as business meals, and is still often observed for the first drink.

Another traditional cup is the masu, a box usually made of hinoki or sugi, which was originally used for measuring rice. The masu holds exactly 180 ml (6.3 imp fl oz; 6.1 US fl oz), so the sake is served by filling the masu to the brim; this is done for chilled or room temperature sake. In some Japanese restaurants, as a show of generosity, the server may put a glass inside the masu or put the masu on a saucer and pour until sake overflows and fills both containers.

Saucer-like cups called sakazuki are also used, most commonly at weddings and other ceremonial occasions, such as the start of the year or at the beginning of a kaiseki meal. In cheap bars, sake is often served room temperature in glass tumblers and called koppu-zake (コップé…'). In more modern restaurants wine glasses are also used, and recently footed glasses made specifically for premium sake have also come into use.

Sake is traditionally served in units of 180 ml (6.3 imp fl oz; 6.1 US fl oz) (one gō), and this is still common, but other sizes are sometimes also available.

Traditionally sake is heated immediately before serving, but today restaurants may buy sake in boxes which can be heated in a specialized hot sake dispenser, thus allowing hot sake to be served immediately, though this is detrimental to the flavor. There are also a variety of devices for heating sake and keeping it warm, beyond the traditional tokkuri.

Aside from being served straight, sake can be used as a mixer for cocktails, such as tamagozake, saketinis or nogasake. Outside of Japan, the sake bomb, the origins of which are unclear, has become a popular drink in bars and Asia-themed karaoke clubs.

The Japanese Sake Association encourages people to drink chaser water for their health, and the water is called Yawaragi-mizu.

Seasonality

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Traditionally sake was brewed only in the winter. While it can now be brewed year-round, there is still seasonality associated with sake, particularly artisanal ones. The most visible symbol of this is the sugitama (杉玉), a globe of cedar leaves traditionally hung outside a brewery when the new sake is brewed. The leaves start green, but turn brown over time, reflecting the maturation of the sake. These are now hung outside many restaurants serving sake. The new year's sake is called shinshu æ–°é…' ("new sake"), and when initially released in late winter or early spring, many brewers have a celebration, known as kurabiraki è"µé–‹ã (warehouse opening). Traditionally sake was best transported in the cool spring, to avoid spoilage in the summer heat, with a secondary transport in autumn, once the weather had cooled, known as hiyaoroshi 冷卸し ("cold wholesale distribution") â€" this autumn sake has matured over the summer.

There is not traditionally a notion of vintage of sake â€" it is generally drunk within the year, and if aged, it does not vary significantly from year to year. Today, with influence from wine vintages, some breweries label sake intended for aging with a vintage, but this is otherwise rare.

Storage

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Sake is sold in volume units divisible by 180 ml (6.3 imp fl oz; 6.1 US fl oz) (a gō), the traditional Japanese unit for cup size: sake is traditionally sold by the gō-sized cup, or in a 1.8 l (63 imp fl oz; 61 US fl oz) (one shō, ten gō) sized flask. Today sake is also often sold in 720 ml (25 imp fl oz; 24 US fl oz) (four gō) bottles â€" note that this is almost the same as the 750 ml (26 imp fl oz; 25 US fl oz) standard for wine bottles, but is divisible into 4 gō. Particularly in convenience stores, sake may be sold in a 180 ml (6.3 imp fl oz; 6.1 US fl oz) single serving glass with a pull-off top (カップé…' kappu-zake) â€" this is generally cheap sake â€" or in a small 360 ml (13 imp fl oz; 12 US fl oz) bottle.

In general, it is best to keep sake refrigerated in a cool or dark room, as prolonged exposure to heat or direct light will lead to spoilage. In addition, sake stored at relatively high temperature can lead to formation of dicetopiperazine, a cyclo (Pro-Leu) that makes it bitter as it ages Sake has high microbiological stability due to its high content of ethanol. However, incidences of spoilage have been known to occur. One of the microorganisms implicated in this spoilage is lactic acid bacteria (LAB) that has grown tolerant to ethanol and is referred to as hiochi-bacteria. Sake stored at room temperature is best consumed within a few months after purchase.

After opening a bottle of sake, it is best consumed within 2 or 3 hours. It is possible to store sake in the refrigerator, but it is recommended to finish the sake within 2 days. This is because once premium sake is opened it begins to oxidize, which affects the taste. If the sake is kept in the refrigerator for more than 3 days, it will lose its "best" flavor. However, this does not mean it should be disposed of if not consumed. Generally, sake can keep very well and still taste just fine after weeks in the refrigerator. How long a sake will remain drinkable depends on the quality of the product, and whether it is sealed with a vacuum top which removes air and helps decrease oxidation.

Ceremonial use

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Sake is often consumed as part of Shinto purification rituals. Sake served to gods as offerings prior to drinking are called o-miki (御神é…') or miki (神é…').

In a ceremony called kagami biraki, wooden casks of sake are opened with mallets during Shinto festivals, weddings, store openings, sports and election victories, and other celebrations. This sake, called iwai-zake ("celebration sake"), is served freely to all to spread good fortune.

At the New Year many Japanese people drink a special sake called toso. Toso is a sort of iwai-zake made by soaking tososan, a Chinese powdered medicine, overnight in sake. Even children sip a portion. In some regions, the first sips of toso are taken in order of age, from the youngest to the eldest.

Events

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• October 1 is the official "Sake Day" (日本é…'の日, "Nihonshu no Hi") of Japan. It is also called "World Sake Day". It was designated by the Japan Sake and Shochu Makers Association in 1978.

See also

Sake Social is the Largest Online Retailer of Japanese Sake!. Source : www.sakesocial.com

• Glossary of sake terms
• Mijiu, a Chinese equivalent
• Cheongju, a Korean equivalent
• Amylolytic process
• Awamori, a distilled rice liquor produced in Okinawa
• Chuak, a Tripuri rice beer
• Habushu, awamori liquor containing a snake
• Kohama style, a method of sake brewing
• Mirin, an essential condiment used in Japanese cuisine, which has been drunk as a sweet sake
• Toso, spiced medicinal sake
• The Birth of Saké

References

Sources

• Bamforth CW. (2005) "Sake". Food, Fermentation and Micro-organisms. Blackwell Science: Oxford, UK: 143â€"153.
• Kobayashi T, Abe K, Asai K, Gomi K, Uvvadi PR, Kato M, Kitamoto K, Takeuchi M, Machida M. (2007). "Genomics of Aspergillus oryzae". Biosci Biotechnol. Biochem. 71(3):646â€"670.
• Suzuki K, Asano S, Iijima K, Kitamoto K. (2008). "Sake and Beer Spoilage Lactic Acid Bacteria â€" A review". The Inst of Brew & Distilling; 114(3):209â€"223.
• Uno T, Itoh A, Miyamoto T, Kubo M, Kanamaru K, Yamagata H, Yasufuku Y, Imaishi H. (2009). "Ferulic Acid Production in the Brewing of Rice Wine (Sake)". J Inst Brew. 115(2):116â€"121.

Further reading

• Aoki, Rocky, Nobu Mitsuhisa and Pierre A. Lehu (2003). Sake: Water from Heaven. New York: Universe Publishing. ISBN 0-7893-0847-9; ISBN 978-0-7893-0847-4
• Bunting, Chris, (2011). Drinking Japan, Singapore: Tuttle Publishing. ISBN 978-4-8053-1054-0.
• Eckhardt, Fred (1993). Sake (U.S.A.): A Complete Guide to American Sake, Sake Breweries and Homebrewed Sake. Portland, Oregon: Fred Eckhardt Communications. ISBN 0-9606302-8-7; ISBN 978-0-9606302-8-8.
• Gauntner, John (2002). The Sake Handbook. Tokyo: Tuttle Publishing. ISBN 0-8048-3425-3; ISBN 978-0-8048-3425-4.
• Harper, Philip, Haruo Matsuzaki, Mizuho Kuwata, and Chris Pearce (2006). The Book of Sake: A Connoisseurs Guide. Tokyo: Kodansha International. ISBN 4-7700-2998-5; ISBN 978-4-7700-2998-0
• Kaempfer, Engelbert (1906). The History of Japan: Together with a Description of the Kingdom of Siam, 1690-92, Vol I. Vol II. Vol III. London: J. MacLehose and sons. OCLC 5174460.
• Morewood, Samuel (1824). An Essay on the Inventions and Customs of Both Ancients and Moderns in the Use of Inebriating Liquors: Interspersed with Interesting Anecdotes, Illustrative of the Manners and Habits of the Principal Nations of the World, with an Historical View of the Extent and Practice of Distillation. London: Longman, Hurst, Rees, Orme, Brown, and Green. OCLC 213677222.
• Titsingh, Issac (1781). "Bereiding van de Sacki" ("Producing Sake"), Verhandelingen van het Bataviaasch Genootschap (Transactions of the Batavian Academy), Vol. III. OCLC 9752305.

External links

• Sake Service Institute
• Sake Education Council
• Sake Sommelier Association
• An Indispensable Guide to Sake and Japanese Culture
• What Does Sake Taste Like?